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Více informací o knize Ex-centric Cinema

• Parametry knihy
• Anotace
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Anotace knihy

In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that non-the-less co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. "Ex-centric Cinema "takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema.

Parametry knihy

Zařazení knihy Knihy v angličtině The arts Film, TV & radio Films, cinema

• Plný název: Ex-centric Cinema
• Podnázev: Giorgio Agamben and Film Archaeology
• Autor: Janet Harbord
• Jazyk: Angličtina
• Vazba: Pevná
• Počet stran: 272
• EAN: 9781628922424
• ISBN: 1628922427
• ID: 06401211
• Nakladatelství: Bloomsbury Publishing
• Hmotnost: 558 g
• Rozměry: 229 × 152 × 25 mm
• Datum vydání: 20. October 2016

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