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Více informací o knize Instruments for New Music

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This is a free ebook version of this title is available through the UC Press open access program. Player pianos, radio-electric circuits, gramophone records, and optical sound film - these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and '30s, the movement for new instruments encompassed a broad spectrum of aesthetic orientations, from the exploration of microtonal tunings and exotic tone-colors to the ability to compose directly for automatic musical machines. It involved composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jorg Mager, Friedrich Trautwein, Laszlo Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts.

Parametry knihy

Zařazení knihy Knihy v angličtině The arts Music Music reviews & criticism

• Plný název: Instruments for New Music
• Podnázev: Sound, Technology, and Modernism
• Autor: Thomas W. Patteson
• Jazyk: Angličtina
• Vazba: Brožovaná
• Počet stran: 250
• EAN: 9780520288027
• ISBN: 0520288025
• ID: 09351209
• Nakladatelství: University of California Press
• Hmotnost: 402 g
• Rozměry: 229 × 154 × 19 mm
• Datum vydání: 11. November 2015

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